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By Dr Morton Marks and Dr Robert Singer |
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From Cuban Son to Salsa. |
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"Since the mid-nineteenth century, Cuban popular music has played an important role in urban western culture. From the habaneras danced in the salons of New York City in the 1860s to the congas, rumbas, cha-chas, son-montunos and mambos of more recent vintage, Cuban dance has exerted a powerful international influence. " Most of Cuba's culture, including its dances, resulted from what Fernando Ortiz termed "Cuban counterpoint,", the balance of Cuba's Iberian and African components. One of the best examples is that of "son-montuno."

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By Paul F. Clifford |
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The Puerto Rican Influence. |
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Salsa has origins in Cuban music but credit for it's worldwide popularity belongs to the Puerto Ricans of New York! The popularity of Salsa throughout the world, is indirectly a consequence of American economic and social imperialism (MacDonalds, Coca Cola, TV, movies, music etc) but in this case, it is probably a good thing! Musically, Salsa has its roots firmly based in the Afro-Spanish musical traditions of Cuba but its worldwide popularity should be attributed to the Puerto Ricans of New York.

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By Paul F. Clifford |
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Salsa and Cha Cha Cha - Part 1. |
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There is a lot of misinformation on the internet about the story behind Mambo, Cha Cha and Salsa. Most notably that the music and dances originated in Cuba and migrated to New York and then to the rest of the world. In a lot of ways this is true but the story of the creation of the music and the dances is a little more complicated than this simplistic history.

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By Paul F. Clifford |
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Salsa and Cha Cha Cha - Part 2. |
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There is some debate whether Salsa and Mambo are the same dance. However, if we get technical, we could argue that Bolero, Rumba, Son, Mambo, Salsa, Cumbia and others often appear to be the same dance. The fact is that in modern music each dance often includes musical segments from other dances and so, one dance borrows moves from another. Eventually the moves merge.

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By Steve Shaw |
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New York Style. |
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In salsa music, the clave rhythm establishes the key or structure to the song. Directly or indirectly, all the other instruments and the singers in the band are guided and structured by the clave rhythms. While it cannot always be heard in some salsa music, the clave's beat always underlies the rhythmic structure of good salsa. While there are various clave rhythm patterns, the "Son Clave" is the one used in the classic, mainstream New York Caribbean-style salsa music preferred by New Yorkers for ON 2 dancing.

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By Chris Washburn |
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The African Roots of Salsa. |
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In many musical discussions, styles of music found in the Americas and the Caribbean are often referred to as African-derived. Salsa is no exception and the following discussion explores what is particularly African about the music: clave, a rhythmic concept found in a variety of Latin-American styles. Similarities in sound and function to African bell patterns provide evidence towards a theory of clave's origins and an evolutionary link between African music and salsa.

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By Mike Bello |
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Cuba Created it. |
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There! Its finally been said. Mambo is as Cuban as apple pie is American. For the most part, though, apple pie has not made many changes in its recipe. The same cannot be said about mambo. From the first introduction to the United States, the dance known as mambo has evolved and taken on rather different directions.

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By Victor Eijkhout |
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Leading and Following. |
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"IF YOU DON'T LEAD ME, I'M NOT GOING TO MOVE!" and "DON'T DANCE ME INTO THE FURNITURE!"
Leading and following that takes place between two people out on the dance floor can be analyzed down to the tiniest detail and is probably the most complex form of communication that takes place between two human beings... at its best and most highly developed level, it is exhilarating and immensely gratifying to the couple that achieves it.

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By Cornelius Enuezie |
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Cuban Band Leader/Musicians. |
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For me, Los Van Van is one band that consistently combines music integrity and genius, with clever lyrics covering diverse social, political, religious (see the lyrics to Soy Todo) and historical subjects, as well the universal subject of most songs, love, to produce some of the best innovative dance tunes around.

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From The National Museum of American History |
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The Life and Music of Celia Cruz. |
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Over the course of a career that spanned six decades and took her from humble beginnings in Havana, Cuba to a world-renowned artist in the United States, Celia Cruz became the undisputed Queen of Latin Music. Combining a piercing and powerful voice with a larger-than-life personality and stage costumes, she was one of the few women to succeed in the male dominated world of Salsa music.

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From National Public Radio by Rolando Arrieta |
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Jazz Profile from NPR on
Ray Barretto
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For nearly 40 years, conguero and bandleader Ray Barretto has been one of the leading forces in Latin jazz. His hard, compelling playing style has graced the recordings of saxophonists Gene Ammons, Lou Donaldson, and Sonny Stitt, and guitarists Wes Montgomery and Kenny Burrell. Born April 29, 1929, in Brooklyn, Barretto is credited for being the
first U.S.-born percussionist to integrate the African-based conga drum
into jazz. This fact has designated him as one of the early "crossover" artists in jazz -- skillfully balancing his Latin leanings and his love for bebop througout a long and successful career.

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